|
We kick off this issue with three papers that
examine different critical issues in Australian
higher education policy.
We begin with Anna Poletti
and Simon Cooper’s investigation into the
journal ranking exercise carried out as part of
the Excellence in Research for Australia (ERA)
initiative. Surprised by the demotion of Biography:
An Interdisciplinary Quarterly from A* to
C in the final rankings released in February
2010, and stymied by the ARC’s refusal to enter
into discussion of the final list, Poletti and
Cooper initiated a Freedom of Information (FOI)
request to obtain documents relating to how the
rankings of Biography and a selection
of related journals were arrived at. Their
analysis reveals what seems to have been an
arbitrary and inconsistent process behind the
journal ranking exercise. As the authors point
out, although the journal rankings were dropped
from the ERA project in May 2011 because of the
perceived unintended consequences, they continue
to exercise a kind of occult influence on the
decision-making of researchers and research
managers. [Full disclosure: AHR was
ranked B in the first draft of ERA journal
rankings; after our submission in the public
submissions phase (September-November 2009) our
ranking was upgraded to A in the second draft
rankings, and remained at this level in the
final rankings. This was a gratifying outcome
for us, especially as we had published articles
critical of the ERA process in our November
2008 and May
2009 issues.]
Katherine Bode and
Leigh Dale turn the analytical spotlight
on another policy document, LaTrobe University’s
Organisational Change Impact Statement, which
makes the case for sacking 41 academic staff in
its Faculty of Humanities and Social Sciences.
Bode and Dale show how the language of the
documents reveals a deeply incoherent and
inconsistent use of the word ‘University’, which
is sometimes used to represent the institution
as a whole, its academic and general staff, its
students, its traditions and its embeddedness in
local, regional, national and international
communities. More often, however, ‘University’
is shorthand for senior management and financial
centres, whereas the Faculty is constructed as
an entity requiring ‘support’ and unable to
fulfil its debts and responsibilities. The
obfuscatory language of economic rationalisation
not only produces deep rifts in the human
structures of collegiality and professionalism
upon which an institution such as a University
depends, it also prevents a clear assessment of
just how damaging such ‘efficiencies’ are to the
University’s core mission and values.
Scott Brook
investigates the perceived anomaly between a
much-hyperbolised ‘decline in Australian
literary publishing’ and a concurrent surge in
demand for places in creative writing courses.
Taking a broad historical overview of the
emergence of creative writing as a university
discipline, Brook then draws on surveys of
creative writing students at the University of
Melbourne, RMIT and Victoria University to
construct a picture of the creative writing
cohort that produces some surprising results,
especially in terms of student motivations for
studying creative writing, and expectations of
the relation between an arts education and the
labour market. He suggests that there is a
serious need to ‘manage expectations’ given a
widening divergence between the rhetoric of the
‘creative class’ and the realities of
over-education, over-skilling and
under-employment that graduates frequently face.
AHR53’s special section, ‘Songlines vs
Pipelines’, guest-edited by Carsten Wergin
and Stephen Muecke, arises from a two-day
seminar they organised at the Social Policy
Research Centre at the University of New South
Wales in February 2012. It tackles one of the
major issues of our time: the dramatic
transformations taking place (locally,
nationally and globally) as a result of the
massive expansion of mining operations in remote
Australia in the past decade. Originating in a
seminar at the Social Policy Research Centre
(SPRC) at the University of New South Wales in
February 2012, the papers collected here raise
questions about the complex changes taking place
in regional communities, as some of the
unintended consequences of the mining boom make
themselves felt on the more modest and
sustainable local economies connected to
national and international tourism.
The section begins with Kerry Carrington,
Russell Hogg, Alison McIntosh and John Scott’s
clear-eyed investigation of the impact of
non-resident fly-in fly-out (FIFO) workforces on
everyday life in a West Australian mining
region. This is followed by Deborah
Che’s historico-ethnographic analysis of
contemporary battles taking place in Allegheny
National Forest (Pennsylvania, USA) between
tourism and mining interests, and Tess Lea’s reading of the
complex entanglements of business, social policy
and indigenous livelihoods in Groote Eylandt in
the Gulf of Carpentaria. Eve
Vincent elucidates the value of
‘gift-exchange’ and pragmatic alliances in the
country north of Ceduna, South Australia,
between Aboriginal-led ‘rockhole discovery’
tours (the ‘Aunty Joan’ mob) and a group of
willing tourist-volunteers (affectionately known
as ‘the greenies’). Kathie
Muir shows how Broome’s distinctive and
complex cultural heritage energises and sustains
a broad-based community protest against a
proposed gas hub in James Price Point on the
West Coast. The section concludes with Tim Neale’s paper about
the optimistic (‘bright futures’) rhetoric on
display in mainstream media reports that opposed
Queensland’s Wild Rivers Act, and that
was evident in a series of government inquiries
investigating the impact of the legislation.
Finally, special thanks are due to Fergus
Armstrong for his editorial assistance in
preparing this issue.
As always, we welcome submissions to AHR on any
aspect of contemporary humanities research, and
we are especially committed to working with
postgraduate students and early career
researchers. Please send a 250-word abstract or
proposal in the first instance to ahr@anu.edu.au.
If we wish to consider your proposal we will
invite you to submit the full text. Full
submission guidelines are available at http://www.australianhumanitiesreview.org/about.html#submission.
Happy reading!
Monique Rooney and Russell Smith
|