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Monique Rooney and Russell Smith |
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Editors' Introduction |
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| Essays |
Meaghan Morris
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Grizzling about Facebook |
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| Ken Gelder |
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English, Autonomy, and the Republic of Letters |
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| Special Section: The Art of the Real |
Keri Glastonbury and Ros Smith |
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Introduction |
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Ross Gibson |
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Extractive Realism |
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Cameron Muir |
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The Opera House of the West |
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Patricia Pender |
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The Perfect Electrometer: Dorothy Wordsworth's Lover's Discourse |
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| The Ecological Humanities |
Deborah Rose |
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Introduction:
‘Writing in the Anthropocene'
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Laurel Peacock |
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Animots and the Alphabête in the Poetry of Francis Ponge |
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Michelle Bastian |
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Inventing Nature: Re-writing Time and Agency in a More-than-Human World |
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John C. Ryan |
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‘Plants That Perform For You'? From Floral Aesthetics to Floraesthesis in the Southwest of Western Australia |
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Madronna Holden |
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Re-storying the World: Reviving the Language of Life |
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Lorraine Shannon |
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Touching narratives |
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Kate Rigby |
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Writing in the Anthropocene: Idle Chatter or Ecoprophetic Witness? |
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| Book Reviews |
Nathan Hollier |
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Russel Ward: Reflections on a Legend, a special issue of Journal of Australian Colonial History 10.2 (2008) edited by Frank Bongiorno and David Andrew Roberts
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| Deborah Madsen |
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Chinese in Australian Literature, 1888-1988 by Ouyang Yu |
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| Christine McPaul |
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Forgetting Aborigines by Chris Healy |
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Chris Healy |
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The Lamb Enters the Dreaming: Nathanael Pepper and the Ruptured World by Robert Kenny |
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